Things finally get batty and bloody, and Oksana Orlan is great when you look at the crazy act that is final. Regrettably, the meandering road to make it to her display is plagued by lapses in logic, debateable alternatives in other shows and questionable manufacturing problems, no matter what the budget constraints.
Solitary mother Nina (Orlan) is hopeless to flee poverty in Russia and also to make an improved life on her child Dasha (Kristina Pimenova) in the usa.
Reclusive, peculiar billionaire Karl Frederick (Corbin Bernsen) becomes enamored with Nina’s profile about what appears to become a circa-1999, mail-order-bride site.
After a few presses, Nina and Dasha move into Karl’s Tudor that is secluded estate. Following fast nuptials, Nina contends along with her husband’s that is new unhinged. A lot of the movie is simply watching just just how crazy this old dude that is rich and watching Bernsen make an effort to complete a lot of schizo monologues….